鄧卓敏畢業於香港浸會大學視覺藝術系，2017年獲獎學金赴英國倫敦大學金匠學院接受短 期音樂劇訓練。近年熱衷於非主流藝術活動，如鹽田梓藝術節 之《細說鹽田梓—環境劇 場》（2019），及互動線上演出《開間房 Open A Room—Gaze 凝視》（2020）等。 鄧氏於2017年策劃實驗劇場《休止禮》，2020年再獲資助，準備於2021年初重演《休》， 探究喪禮禮儀及思考死亡意義。

Tang graduated from Hong Kong Baptist University with a Bachelor of Arts (Hons) in Visual Arts. In 2017, she was awarded a Summer Musical Camp Scholarship by Goldsmiths, University of London for a short-term musical theatre training in UK. Tang has recently involved in various alternative theatrical performances, including The Story of Yim Tin Tsai – Environmental Theatre (2019) organised by Yim Tin Festival, and Open A Room – Gaze (2020), an interactive online performance. In 2017, Tang curated a micro-multimedia theatre showcase entitled Searching for Stillness to explore the meanings of death and the ritual possibilities. She was endorsed again in 2020 for the second run to be held in early 2021.

創作儀式論

有deadline的時候，會獨自坐在工作室發呆、放空，將想法嘗試組織，時而自言自語、時而大叫、時而哼歌；在這個放鬆的狀態下，如果意識到疲勞，會小睡片刻（所以工作室要有沙發或床），讓想法逐漸浮面。

當身體休息過後，就是真正動工的時候。
精神緊張、心情不安的時候，（我無法創作）。

About the Ritual of Creative Practice

When I have a deadline, I sit alone in the studio and space out, trying to organise my thought, sometimes talk to myself, sometimes shout, sometimes hum; in that relaxing state, if I feel tired, I will take a nap (so the studio should have a sofa or a bed) and let the ideas surface.
Once the body has fully rested, it’s time to really get to work.
(I cannot make art) when I am nervous and upset.