具身性 Embodiment

程新皓 CHENG Xinhao

程新皓,《致海洋》,單屏錄像,49’56” | CHENG Xinhao, To the Ocean (2019),single-channel video, 49’56”

從昆明開始,在19 天內沿滇越鐵路步行446 千米,直到中國與越南的邊境。每公里撿拾一塊砟石背負在身上。
I walked 446km from Kunming to the borderline of Chinese-Vietnamese through the Yunnan-Vietnam Railway within 19 days.During the way, I picked up a stone in each kilometer and carried them with me.

程新皓,《致海洋》,單屏錄像,49’56” | CHENG Xinhao, To the Ocean (2019),single-channel video, 49’56”

從昆明開始,在19 天內沿滇越鐵路步行446 千米,直到中國與越南的邊境。每公里撿拾一塊砟石背負在身上。
I walked 446km from Kunming to the borderline of Chinese-Vietnamese through the Yunnan-Vietnam Railway within 19 days.During the way, I picked up a stone in each kilometer and carried them with me.

程新皓,《致海洋》,單屏錄像,49’56” | CHENG Xinhao, To the Ocean (2019),single-channel video, 49’56”

從昆明開始,在19 天內沿滇越鐵路步行446 千米,直到中國與越南的邊境。每公里撿拾一塊砟石背負在身上。
I walked 446km from Kunming to the borderline of Chinese-Vietnamese through the Yunnan-Vietnam Railway within 19 days.During the way, I picked up a stone in each kilometer and carried them with me.

程新皓,《來自鐵路的24 封郵件》(2020),假雜誌出版 | CHENG Xinhao,24 Letters from the Railway (2020), published by JZZP

2019 年12 月1 日開始,程新皓從昆明出發,沿著滇越鐵路向鐵路盡頭的海洋行走,每走一公里撿拾一塊鐵路上的砟石,每一天夜裡也會從雲南的不同角落給一位虛構的友人發一封郵件。最後,他用了19 天,走完了鐵路在雲南省境中的465 公里,身上的石頭重量達到了二十多公斤,已發送的郵件也積攢下了二十四封。
It is the 24 letters I wrote to a close friend X during the longwalk on the Yunnan-Vietnam Railway.

程新皓,《來自鐵路的24 封郵件》(2020),假雜誌出版 | CHENG Xinhao,24 Letters from the Railway (2020), published by JZZP

2019 年12 月1 日開始,程新皓從昆明出發,沿著滇越鐵路向鐵路盡頭的海洋行走,每走一公里撿拾一塊鐵路上的砟石,每一天夜裡也會從雲南的不同角落給一位虛構的友人發一封郵件。最後,他用了19 天,走完了鐵路在雲南省境中的465 公里,身上的石頭重量達到了二十多公斤,已發送的郵件也積攢下了二十四封。
It is the 24 letters I wrote to a close friend X during the longwalk on the Yunnan-Vietnam Railway.

程新皓,《平行線條的透視法》(2020),單屏錄像,21’23” | Linear Perspective (2020), single-channel video, 21’23”

在這段固定鏡頭的錄影中,正交的鐵路分割畫面,引導和限定著觀看的秩序與可能性,而在此舞臺之上,被設計的事件與偶然發生的遭遇同時上演。
In this long take, the orthogonal railroads divide the scene, guiding and defining the order and possibilities of seeing. On this stage, contrived events and chance encounters play out simultaneously.

©2021 LEE KAI CHUNG & SHEN JUN. ALL RIGHTS RESERVED