我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）

我覺得平凡單一的生活其實不是大問題，藝術家也不是特別人物。進入生活、感受生活，然後才創作。循環、伸延、無意識的流動是我過往創作中重要元素，這些都是一種看似自由，卻不斷重復被困的曖昧狀態，指向當代社會中人所面對精神的困窘。I don’t think that the mundane and monotonous life is a big problem, and artists are not special. We live our life, we feel life, and then we create. The cycle, the extension, the unconscious flow are important elements in my past works, they are a seemingly free but constantly recurring state of ambiguity, pointing to the spiritual dilemma faced by people in modern society. (黃百亨 WONG Pak Hang, Samson）